Сергій Братков


  • European Portrait Photography since 1990, edited by Frits Gierstberg, BOZARBOOKS, Prestel, 2014, p. 24-30


  • Thomas Seelig, “Glory Days”, catalogue for the exhibition “Glory Days” at Fotomuseum Winterthur, 2008, p. 50-51

  • “The Picture Hunter”, a conversation with Sergey Bratkov, Anna Alchuk and Mikhail Ryklin, catalogue for the exhibition “Glory Days” at Fotomuseum Winterthur, 2008, p. 54-60

  • Boris Buden, “The World of Lost Innocence, or: Why isn’t Sergey Bratkov a Post-Communist?”, catalogue for the exhibition “Glory Days” at Fotomuseum Winterthur, 2008, p. 130-133

  • Bart de Baere, “On People and Appliances”, catalogue for the exhibition “Glory Days” at Fotomuseum Winterthur, 2008, p. 138-142


  • Peter Doroshenko, “Serhiy Bratkov”, in the cat. “A poem about an inland sea” for the Ukrainian pavilion at 52 la biennale de Venezia, cat., edited by Pinchuk Art Center, 2007, p. 14-23

  • “Never too young”, in the cat. for the exhibition “Dangerous Beauty” at Chelsey Art Museum in collaboration with PAN, (Napoli), p.34-35

  • Katharine Welsch, “Serhiy Bratkov”, in the cat. for the exhibition “Reflection” at Pinchuk Art Center, cat. p.18-22


  • Philippe Van Cauteren, SERGEY BRATKOV - THE RUSSIAN QUESTION FOR THE RUSSIAN ANSWER, Flash Art, no. 245 November/December

  • Manifesta 5, cat., p. 140, 232-234

  • De Baere, Bart “Contemporary Art in Belgium”, in the book by Bart de Baere&Henry Bounameaux, pp.74-77

  • Kuzma, Marta, On the Shoulders of Giants, in: Flash Art International, No.240


  • Was will Europa?, Research by Francheska D.Shaw and Lavina Garulli, in: Flash Art International, No.237, p.98

  • Files, book published by Museo de Arte Contemporaneo de Castilla y Leon, file No.21

  • Russian Art in 2004: Group portrait, in: Artchronika, No.1, pp.88-89

  • Dream (five years ago), in: GAGARIN, tenth edition, pp.4-5

  • Artists in the beginning of the century. Moscow Conceptual art 2000-2003., WAM, No.8/9,pp.186-191,250

  • Degot, Ekaterina “Newcomers to the society of spectacle”, in: Camera Austria, No.88, pp.28-32

  • Cotton, Charlotte, in the book “The photograph as contemporary art”, p.63

  • Curto, A., in: Juliet, No.119, pp.40-41


  • Hohmeyer, Boris and Sommer, Tim “Berlin-Moscau, 1950-2000, in: Art, No.10, p.16

  • Misiano, Viktor, Focus Photography, in: Flash Art International, No. 233, p.85

  • Barabanov, Dmitry, Fisheye and the Bonds in Tondo, in: WAM, No.4, pp.113,121,125,132-136


  • Curto, A., in: Juliet, No.108, pp.56&cover

  • Kuzma, Marta, In with the Mad Guard, in: Pocko No.9, pp.36-44


  • Knofel, Ulrike, “Tanzkurs auf dem Vulkan”, in: Der Spiegel, No.45, p.242

  • Tchmyreva, Irina, “Sergey Bratkov – Non-scandalous Disclosure”, in: Imago, No. 11, pp.34-41


  • Soloviov, Aleksander and Filonenko, Natalia, in: Flash Art International, No.225,p.109


  •  Neumaier, Diane, Contemporary Russian Art Photography, in: Art Journal, Summer, p.19